This is one of many pages of original Syncopation variants I’ve written up, in this case restricted to combinations of dotted quarter notes, quarter notes, and single 8th notes. I’ve devised a few interpretive methods […]
Category: Todd’s Methods
Todd’s methods: Reed triplets in steps – BD
One of the common interpretations applied to Ted Reed’s Syncopation is to fill out the written rhythm with triplets, which can be pretty technically challenging due to all the doubles and multiples that come up. […]
You knew this was coming…
Here’s the latest stupidly-named iteration of my basic paradiddle exercise, this time using 16th note 7s, septuplets, or whatever you want to call them. As always, play through the entire page, then play combinations of […]
Coordination “kernels” – further examples
You may have noticed I’ve been on rather light posting this last week. Expect that to continue for the next several days; this week I’ll be recording my new CD for the Origin label, Little […]
Todd’s methods: Son of Daku-daku-paradiddle
Right, I’m starting to regret the name I made up for this thing– until I think of the alternative, long-winded description for this very common pattern. Now if I can just bring myself to call […]
Todd’s methods: Afro-Cuban in 6/8 and 3/4
Here’s something I wrote strictly for my own use, which I thought I would share for you to make of what you will. The Afro 6/8 has been one of my stronger vehicles for a […]
Umdaga, part 1
This is a very simple pattern I use a lot- I’d go so far as to say it’s one of the basic DNA instructions of my playing: right/left/bass. I didn’t exactly make it up, but […]
Simple variations on Syncopation, Lesson 4
That’s pages 10-11 for those of you with the old edition– as you can see I’ve given up completely and started referring to the parts by their new edition names. I’ve been working with this […]
Matt’s paradiddle thing, pt. 2
As I’ve mentioned, I’ve been working a bunch with the paradiddle page I wrote up for my student Matt F, usually combining single repetitions of each exercise, as described in the post. Last night I […]
Stick Control expander – Rhythm, part 1
One of the things I’m working on getting together is an array of stuff to do with Stick Control, that do not make more sense to do by the melody-interpreting Reed/Syncopation method. I know that […]
Todd’s methods: bongo beat
Here’s an easy system I developed for playing a generic Latin feel very bright tempos: A few notes there weren’t room for on the pdf: – Can be played very fast and very light. – […]
Double paradiddle thing
Matt’s Paradiddle Thing has been so useful to me, that I decided to apply the same methodology to double paradiddles. Don’t be put off by the amount of ink on the page- the system is […]