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Category: Reed Lesson 4

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Syncopation, Lesson 4, in 5/4

  • December 19, 2012
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This is really a library piece— I use pp. 10-11 from Syncopation (that’s Lesson 4 in the new edition) so many different ways that I wanted to put it into 5/4. We’ll be referring to […]

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Half-time feel rock using Syncopation

  • September 17, 2012
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Extending my previous series on making rock/pop beats using Ted Reed’s Syncopation, here is a way of making a half time feel using the same concept, except we play quarter notes on the hihat, and […]

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Todd’s methods: Son of Daku-daku-paradiddle

  • October 13, 2011
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Right, I’m starting to regret the name I made up for this thing– until I think of the alternative, long-winded description for this very common pattern. Now if I can just bring myself to call […]

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Big band figure builder

  • September 25, 2011
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Here’s another installment of a thing I’ve been doing with several students, using Syncopation lesson 4 to get familiar with the basic moves and reading associated with setting up and kicking big band figures (“cutting” […]

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Simple variations on Syncopation, Lesson 4

  • September 12, 2011
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That’s pages 10-11 for those of you with the old edition– as you can see I’ve given up completely and started referring to the parts by their new edition names. I’ve been working with this […]

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Todd’s methods: bongo beat

  • July 15, 2011
  • 0

Here’s an easy system I developed for playing a generic Latin feel very bright tempos: A few notes there weren’t room for on the pdf: – Can be played very fast and very light. – […]

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Two simple rock applications

  • March 18, 2011
  • 0

You’ve probably noticed by now that I do a lot with Ted Reed’s Syncopation? Here are two more methods which I have developed (along with my Rock beats with Syncopation piece) to introduce my intermediate […]

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Basic big band set-ups

  • March 9, 2011
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Another in the recent series of easy stuff, here is a page of basic set-ups for ensemble kicks on the & of 4. You can apply these to my earlier piece, Kicks and Set-ups Using […]

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Todd’s Methods, pt. 3: Rock beats with Syncopation

  • March 5, 2011
  • 0

Most drum books present their stuff fully written out verbatim for the drum set, which is fine for learning patterns, but not for thinking like a musician. This is something I made up to introduce […]

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  • Tony Williams

Todd’s Methods, Pt. 1: daku-daku-paradiddle

  • February 24, 2011
  • 0

New series: quick and dirty presentation of some of my practice methods. The idea is to write them up fast and on one page, so explanations may not be as thorough as everyone would like. […]

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Kicks and set-ups using Syncopation

  • January 21, 2011
  • 0

Here’s a little method I devised for working on basic big band-style kicks and set-ups, using Ted Reed’s Syncopation. Like many of the ways of working with Reed, it involves some selective reading/interpretation, but in […]

About the author:

Todd Bishop is a drummer, drum teacher, Origin recording artist, blogger(hey?), visual artist, and cymbal dealer living in Portland, Oregon.

Support the site:

Also visit my site CYMBALISTIC to get some great cymbals made in Turkey, by Cymbal & Gong. They're some of the finest cymbals in the world for anyone seeking a traditional 50s/60s jazz sound. I play them, players love them. Be sure to check out our own speciality model, the Extra Special Janavar.

You can also purchase my books, including Syncopation in 3/4, 100 Grooves, Samba & Bossa Nova Field Manual, and the Books of the Blog from 2011-2018, as well as some CSD! merchandise.

NEWS: On November 6-9 we will be bringing cymbals to Berlin and Dresden, Germany. Get on the mailing list @ Cymbalistic for locations and updates.

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