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Category: double paradiddles

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What to do with Stick Control

  • March 20, 2025
  • 0

Kind of a big one. Blow this up and make a poster out of it… actually I should probably do that, and sell it along with my other merch… …BUT these are some things to […]

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Bishopdiddles – 02: double paradiddles to swing 8ths

  • August 31, 2023
  • 0

Listen: do not show these to somebody and call them “BISHOPDIDDLES.” You’re going to get both of us beaten up.   One thing I like about this double paradiddle inversion is that it’s possible to accent the […]

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Bishopdiddles

  • August 26, 2023
  • 0

Minor item, corralling some similar sticking ideas that have been floating around the site. I noticed that with paradiddle-like stickings, I like inverting them so the double is up front, right after the first accent. […]

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Double-paradiddle / paradiddle-diddle inversions – linear, all on one page

  • September 23, 2020
  • 1

I wrote this up for myself, maybe you’ll use it, too. These are the 6/8 linear versions of the double paradiddle and paradiddle-diddle inversions page, written for snare drum and bass drum— that’s easier for […]

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Double paradiddle inversions for drumset

  • April 30, 2020
  • 0

Following up on my big rudimental tantrum post, here’s a little exploration of double paradiddles— I mentioned that a good friend, and one of the most creative drummers I know, Steve Pancerev, is a fan […]

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Double paradiddle-adiddle

  • February 9, 2017
  • 0

Look, it’s not my fault. I never told you I was going to have cool names for the things I make up. Direct your derision at the founding fathers of drumming who put us on […]

  • 7/8
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Paradiddle exercises in 7/8

  • July 23, 2015
  • 0

UPDATE: Man, I am getting sloppy. There were a bunch of typos and duplicate exercises in the original pdf— I’ve updated it, and included some accent variations in the triple paradiddle exercises.  Hey, breaking our […]

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Rudimental Reed: paradiddles

  • September 21, 2012
  • 0

Another entry in our “Rudimental Reed” series, in which we outline some methods for apply rudiments to the long exercises in Ted Reed’s Syncopation, this time using paradiddles. Here’s that well-known opening line from the […]

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You knew this was coming…

  • December 8, 2011
  • 0

Here’s the latest stupidly-named iteration of my basic paradiddle exercise, this time using 16th note 7s, septuplets, or whatever you want to call them. As always, play through the entire page, then play combinations of […]

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Double paradiddle thing

  • June 22, 2011
  • 0

Matt’s Paradiddle Thing has been so useful to me, that I decided to apply the same methodology to double paradiddles. Don’t be put off by the amount of ink on the page- the system is […]

About the author:

Todd Bishop is a drummer, drum teacher, Origin recording artist, blogger(hey?), visual artist, and cymbal dealer living in Portland, Oregon.

Support the site:

Also visit my site CYMBALISTIC to get some great cymbals made in Turkey, by Cymbal & Gong. They're some of the finest cymbals in the world for anyone seeking a traditional 50s/60s jazz sound. I play them, players love them. Be sure to check out our own speciality model, the Extra Special Janavar.

You can also purchase my books, including Syncopation in 3/4, 100 Grooves, Samba & Bossa Nova Field Manual, and the Books of the Blog from 2011-2018, as well as some CSD! merchandise.

NEWS: On November 6-9 we will be bringing cymbals to Berlin and Dresden, Germany. Get on the mailing list @ Cymbalistic for locations and updates.

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