I wrote this up for myself, maybe you’ll use it, too. These are the 6/8 linear versions of the double paradiddle and paradiddle-diddle inversions page, written for snare drum and bass drum— that’s easier for […]
Category: triplets
Three Camps for drumset – RLL/RRL/six stroke – 03
UPDATE: I noticed a typo in the “syncopated / starting on 2” version, plus I changed the sticking on the A measures. Notes on the updates further down… Settle in, kids, we’re going to be […]
Three Camps for drum set – alternating triplets – 02
9/30 UPDATE: Lots of updates these days! I caught some problems with the second page. I’ll detail the corrections below. OK, I officially like this new system— adapting the format of the rudimental piece Three […]
Three Camps for drum set – 01
I like the traditional rudimental snare drum piece Three Camps as a practice format because it’s simple and finite— you can play the piece a few times and be done. You’ve done your work on the […]
Alternating triplets displaced
Developing an independence idea that has been happening spontaneously in my practicing— triplets alternating between the snare drum and bass drum, with odd breaks. Play the foot part with the bass drum or hihat. These […]
Three voice / three note patterns
The sort of thing you write when you’re under quarantine— a library item strictly for maniacs, in the same ballpark of extremity/uselessness as Gary Chaffee’s jazz patterns, from Patterns vol. 3. In fact that’s exactly […]
Three notes, one on cymbals – 01
This little assignment is related to several things we’ve done lately: my harmonic coordination improved method, and my rock drill; playing it in */4 meters with a swing feel gives you something similar to rubadub. […]
Harmonic coordination improved – triplets
Here’s the triplet-based companion for the harmonic coordination improved warm-up. It’s a less miserable and soul-destroying, more musically relatable way of playing exercises of the type found in the harmonic coordination section of Dahlgren & […]
Preparation for Reed triplet studies
A page of short triplet exercises that are preparation for some of the major practice methods I do with the book Syncopation: the right handed solo method, and the so-called “Ruff Bossa” method, found in […]
Open ratamacues for drumset
More jazz solo vocabulary: my previous page of open ratamacues, adapted for the drumset. It’s pretty simple: we’ve just moved the doubles to the bass drum. I eliminated the triple ratamacues because I don’t like […]
6/8 rhythmic literacy – 01
This has been a lurking annoyance for me for a long time: students don’t know how to read basic rhythms in 6/8… any of the */8 meters. It looks weird and is often explained poorly, […]