A fun practice loop in 6/4 with a strong suggestion of 12/8. It’s really a compound pulse where it’s both things at the same time. Hit the time signature labels at the bottom of the […]
Category: 6/8
Groove o’ the day: Philly Joe Afro 6
From the Sonny Rollins album Newk’s Time, another individualistic version of an Afro 6/8 groove, played by Philly Joe Jones on Asiatic Raes, a Kenny Dorham tune. On the snare line, the x is a […]
Practice loop: slow blues
Here’s a loop you’re going to need this week, as I finish writing the 6/8 prep for my patented(?) Harmonic Coordination Improved™ method. Sampled from Melvin Sparks’s Blues for JB, the tempo is a stately […]
Groove o’ the day: Lex Humphries afro 6
Hm, Lex Humphries has been coming up a lot lately. I heard this tune played on KMHD, Portland’s jazz radio station: Taboo, played by Duke Pearson on his Blue Note album Profile. I should think about […]
Afro 12/8 – funk – updated
This page is an update of something I wrote in the wilds of 2013— a page of bass drum variations for a funk-feel Afro-Cuban 12/8, with a backbeat on 3. I had a student play […]
Todd’s methods: Gospel 6
Get me. Here’s a practice method for people who have bought my new print book Syncopation in 3/4. It’s closely related to my standard Reed 2/2 funk method, except here we’ll be doing a slow […]
Practice loop in 6/4: Magdalena
Practice loop in 6/4 sampled from Magdalena, from John Zorn’s album O’o. Tempo is quarter note = 204, and there is an extra bar of 3/4 on the big figure at the end of the […]
Practice loop: Lopsy Lu – complete form
This replaces my earlier practice loop sampled from Stanley Clarke’s Lopsy Lu— this one has the whole form of the tune. Nice to actually know how to play it, just in case you ever play […]
6/8 rhythmic literacy – 01
This has been a lurking annoyance for me for a long time: students don’t know how to read basic rhythms in 6/8… any of the */8 meters. It looks weird and is often explained poorly, […]
Page o’ coordination: RLH in 3
Slightly different format for a Page o’coordination. Usually we have an ostinato with a variable left hand part; here the cymbal part and bass drum part change. This is sort of an appendix to some things […]
Triplets vs. not-triplets
This is a pretty fine point of theory, but it comes up a lot on this site, so I want to state my thinking about it, so I can link to it every time it […]
Page o’ coordination: Afro 6 – “African”
Quite of flurry of POCs lately— a plague of POCs. I like this format. It’s good for working on more complex independence; things too hard to do with a melodic line interpretation, which is my […]