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Category: Todd’s Reed funk method

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  • Todd's Reed funk method

Finessing Reed funk phrases

  • May 12, 2023
  • 0

A baseline thing to do with Reed funk methods is to practice in two measure phrases. For example: one measure cut time funk* / one measure RH lead**. * – CUT TIME FUNK: Reading from […]

  • comping
  • cut time funk
  • funk
  • grooves
  • jazz
  • New Orleans
  • Reed interpretations
  • songo
  • subtractive method
  • syncopation
  • Todd's Methods
  • Todd's Reed funk method

Reed interpretations: special voicing – 01

  • September 16, 2021
  • 0

This came out of the groove part of my recent Country Rock thing. It’s a kind of subtractive method for voicing the snare drum and bass drum. Not unlike my John Riley-inspired “that with interruptions” […]

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  • Reed interpretations
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  • Todd's Reed funk method

Todd’s methods: Gospel 6

  • January 27, 2019
  • 0

Get me. Here’s a practice method for people who have bought my new print book Syncopation in 3/4. It’s closely related to my standard Reed 2/2 funk method, except here we’ll be doing a slow […]

  • funk
  • Reed interpretations
  • syncopation
  • Todd's Methods
  • Todd's Reed funk method

Todd’s funk drill – another tweak

  • September 6, 2018
  • 0

Another small tweak to my Reed-based funk drill, improvised by a very talented 6th grade student of mine. It’s very obvious, and I don’t know why I didn’t think of it before. Maybe I did, […]

  • funk
  • half time feel
  • Reed interpretations
  • Reed tweaks
  • syncopation
  • Todd's Reed funk method

Half-time feel funk: the “Syncopation” section — a small tweak

  • May 20, 2015
  • 0

Continuing with my late Reed funk method here, which now has its own label— click on that link to get the whole series. It’s becoming quite substantial— I see a book in our future… If you’ve […]

  • cut time funk
  • funk
  • half time feel
  • Reed
  • rock
  • syncopation
  • Todd's Reed funk method

Half-time feel to regular 4/4

  • May 12, 2015
  • 0

We’ll be marking time a little bit this week, saving up the big, good stuff for our fund raiser, which is going to be next week. As I mentioned in our last half-time feel funk […]

  • cut time funk
  • funk
  • half time feel
  • Reed
  • Reed interpretations
  • rock
  • syncopation
  • Todd's Reed funk method

Half-time feel funk: the “Syncopation” section — 01

  • May 8, 2015
  • 0

Here’s a new chapter to our recent half-time feel funk series, using Progressive Steps To Syncopation, by Ted Reed. Here we’re going to get into the “Syncopation” section of the book— pp. 32-44 in the […]

  • cut time funk
  • downloads
  • exercises
  • funk
  • half time feel
  • Reed
  • Reed interpretations
  • rock
  • syncopation
  • Todd's Reed funk method

Half-time feel funk: advanced method — open hihat

  • April 28, 2015
  • 0

Here’s the next step for this half-time funk method we’ve been doing, using Syncopation, by Ted Reed. On the intermediate method and on this one we’ll be using the pages with quarter notes, 8th notes, […]

  • cut time funk
  • downloads
  • exercises
  • funk
  • half time feel
  • Reed interpretations
  • rock
  • syncopation
  • Todd's Reed funk method

Half-time feel funk: intermediate method

  • April 20, 2015
  • 0

Here’s the next phase of our little half-time feel funk method, using Ted Reed’s Syncopation. We’ll use pp. 29-30 out of Reed, with the quarter notes, 8th notes, and 8th rests, along with the page […]

  • cut time funk
  • downloads
  • exercises
  • funk
  • half time feel
  • Reed
  • Reed interpretations
  • rock
  • syncopation
  • Todd's Reed funk method

Half-time feel funk: basic method

  • April 13, 2015
  • 0

Here’s a basic method for working with the half time feel funk grooves from the other day. We’ll be reading out of Syncopation, by Ted Reed, pp. 10-11 (from the old edition) or Lesson 4 […]

  • cut time funk
  • downloads
  • exercises
  • funk
  • grooves
  • half time feel
  • rock
  • Todd's Reed funk method

Basic cut time funk beats

  • April 11, 2015
  • 0

Today we have a page of basic funk grooves in 2/2— cut time, half-time feel, whatever you want to call it. I haven’t given a cymbal part, because we’ll be doing some different things with […]

About the author:

Todd Bishop is a drummer, drum teacher, Origin recording artist, blogger(hey?), visual artist, and cymbal dealer living in Portland, Oregon.

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