Two of these in a row. I’m too occupied with finishing this new book— Rants, vol. 1— now at the critical “done, and it all looks wrong” stage of editing. So I need a few […]
Category: 12/8
Page o’ coordination: Afro 6 – new LH basics
Basic left hand variations with a basic form of the an Afro 6/8 groove, with the “short” bell rhythm. Finally updating a page I did way back in 2012, that I still use all the […]
Page o’ coordination: Afro 6 – BD variations
OK, first new content post on the new platform. WordPress handles images a little differently, and it’s messing with my usual post design, so I’ll be fiddling with that a bit. I’ve been working with […]
Reed tweak: RH lead triplets – fast within slow
This has been an item of interest for a long time— playing fast in a slow tempo. In a master class Peter Erskine mentioned that Jack Dejohnette was the only drummer he knew who could […]
Transcription: Steve Gadd Afro 12/8
Here’s Steve Gadd playing the whole first part of Full Compass, from George Benson’s record Bad Benson— it’s a fully arranged thing, with some drum breaks. It’s an Afro-feel 12/8, modulating to 4/4 at the […]
Embellished filler with RH lead triplets – 01
I’m pretty sure I’ve written something like this before, but navigating my voluminous archives is no easier for me than it is for you. This is a sketch of some ideas in an upcoming[??? -tb] […]
Half time funk shuffle – 01
Here’s a page for my students, working through the basics of a half time funk shuffle groove. It gets mentioned a lot more online than it comes up in real life, but it’s a thing. […]
Reed tweak of a tweak: ending a solo phrase
Here’s a very small but useful tweak of a tweak: remember the Reed system with alternating triplets, hitting the accents on cymbals + bass drum… except we’d leave out the LH cymbal hits? It’s a good […]
Page o’ coordination: Airto’s afro
Page o’ coordination based on Airto’s unique afro 12/8 groove played on the intro of Casa Forte, from Flora Purim’s album Stories To Tell. It’s a good introductory groove for this style— the hands are […]
Counting compound meters
Recently I’ve begun teaching that way of counting 16th notes in compound meters that I mentioned before. It’s going good. I never had a good way of counting those rhythms, so they were always a little mysterious. […]
The paradiddle inversion method, with triplets
Here’s how to fit that late paradiddle inversion system into a triplet or 12/8 environment. For clarity, we’ll base it off the accented triplets pages from Syncopation— pp. 53-58. Advanced students can then figure out […]