We’ve been doing a lot with the highly useful RLLR-LRRL paradiddle inversion lately. This is a page I wrote for myself as I’m developing some other Reed methods for it— sometimes you need to see […]
Search Results for: label/paradiddles
Reed interpretation: paradiddle inversion – key and warm-ups
Preparatory page for a Reed system using the highly useful RLLR-LRRL paradiddle inversion— we’re doing a lot with it for a reason. It’s easy to play fast, works great on the drums, and fits a […]
40 international drum rudiments— a frank appraisal
Here at last is my opinionated commentary on each of the 40 PAS international drum rudiments— the good are praised, the questionable are denigrated and hounded from the public sphere. The abstruse are eschewed. I’ll […]
5s around the drums
I’ve enjoying practicing my previous around-the-drums things so much, I thought I’d run it through a few iterations- similar to my multi-page paradiddle exercise– and see what we get. Today it’s 16th note 5s, using […]
CSD!’s 2011 in review
Jeez, has it only/already been a year? I started 2011 with this “terse announcement”, my second blog post in four years: “I’m about to revive this sucker somewhat. Look for more music-related items and odd […]
You knew this was coming…
Here’s the latest stupidly-named iteration of my basic paradiddle exercise, this time using 16th note 7s, septuplets, or whatever you want to call them. As always, play through the entire page, then play combinations of […]
It’s a five-off
Following the lead of Four On The Floor’s 5 Beat Groupings (including a hip way of using Stone on the drumset), and Trap’d’s 5 beat figures in triplets, here’s another variation of the paradiddle exercise […]
Paradiddle round-up
In case you haven’t gotten enough to work on with the paradiddle things I’ve posted, here are some exercises gathered from around the web. I’ve only linked to pages that actually use notation- I’m a […]
Paradiddles with 16th note triplets
Here’s a companion to the other pages of paradiddles I’ve posted, this time using an embellishment used in Wilcoxon occasionally- a 16th note triplet in place of the double. Playing the triplet starting on an […]