Updating this page as my purposes with it have evolved, into an endurance drill. I’ve made it harder, with larger changes from measure to measure, with an eye on how it progresses playing through it […]
Category: triplets
Embellished filler with RH lead triplets – 01
I’m pretty sure I’ve written something like this before, but navigating my voluminous archives is no easier for me than it is for you. This is a sketch of some ideas in an upcoming[??? -tb] […]
Reed tweak: RH lead triplets – five stroke rolls
This is where my thinking is going lately, towards breaking up some Reed practice systems so they’re not pure formula. Which I have always done anyway, just not very systematically. We want to make our […]
Reed tweak of a tweak: ending a solo phrase
Here’s a very small but useful tweak of a tweak: remember the Reed system with alternating triplets, hitting the accents on cymbals + bass drum… except we’d leave out the LH cymbal hits? It’s a good […]
RH lead triplets – useful excerpts from . 38
This is a little bit of a half baked item, illustrating something we did in a lesson. Should be useful for teachers, may not make a ton of sense if you’re not familiar with this […]
Tri pa let
Related to my late forays into different systems of counting: in an online conversation, someone asked about counting 16th notes within an 8th note triplet, specifically a triplet-rate hemiola: Generally, people count 8th note triplets: […]
That last Reed tweak: one further
Going one further with that last Reed tweak in 3/4, in which we played alternating triplets, beginning every measure with the right hand. Normally with alternating triplets, every second measure would start with the left hand, […]
Reed tweak: alternating triplets in 3
This came up while I was practicing out of my book, Syncopation in 3. An extremely ordinary practice system used with Syncopation is to a) swing the top line rhythm, b) fill in the remaining […]
The paradiddle inversion method, with triplets
Here’s how to fit that late paradiddle inversion system into a triplet or 12/8 environment. For clarity, we’ll base it off the accented triplets pages from Syncopation— pp. 53-58. Advanced students can then figure out […]
Syncopation rhythms – quarter note triplets
The need for this arose when I was practicing yesterday, so here we go— two pages of syncopation rhythms including quarter note triplets and inverted quarter note triplets. You know what to do. Get the […]
Stick control patterns in 6/8
This is part of a larger writing project I’m doing— some things you have to write out to decide if they’re going to be of any use. You can see that the logical sequence here […]
Page o’ coordination: basic triplet texture in 4/4
Here’s a straightforward page o’ coordination for learning bass drum variations along with a basic triplet texture with the hands, in a jazz feel. The hands are doing a simple linear sticking pattern— a paradiddle-diddle […]