Here’s another set of stickings for that last “fast within slow” Reed interpretation. The major thing we’ll be using is the sixtuplet form of the six stroke roll— or the “Swiss” sixtuplet, as I sometimes […]
Category: syncopation
Reed interpretation: fast within slow
Our philosophy around here is to never stray too far from Reed without good reason— I have to relearn that every few years. So here’s a thing for beginning to develop the Jack Dejohnette-style “fast within […]
Syncopation exercises in 3/4 — 01
This is a straight library piece: some syncopation exercises in 3/4, similar to the one-measure exercises in the middle section of Ted Reed’s Syncopation, for doing all of the usual things you do with that […]
Todd’s methods: Reed with RB and BR
Playing Latin styles, you end up using a lot of sticking combinations of RB and BR— B meaning both hands together— so here’s a basic way of using Ted Reed’s Syncopation to work on that. […]
What to do with Reed
I stumbled across this in the depths of the Drummerworld discussion forum— drum instructor Jacob Kaye from Montreal has posted a little summary of some of the stickings used with Ted Reed’s Syncopation. I don’t […]
Doubling up a ballad feel with Syncopation
Happy new year, everybody. I’m practicing a lot of slow tempos lately, so here are some Reed interpretations that will be familiar to all jazz students, written out to suggest double time during a ballad. […]
Kerrigan syncopation exercise in 6/8
I guess there’s no getting around it: we’re all about the 6/8 these days— there’s a whole bunch more of this on deck. This is a Chuck Kerrigan syncopation exercise, from his very useful Syncopated […]
Good reading
Ignore the model’s bad posture, tucked-in muscle shirt, and Bay City Rollers hairdo, and buy the book. If you’ve worked with Ted Reed’s Syncopation in any serious way you’ve probably sensed that it has a […]
Exercises for developing a common Reed interpretation
Following up on the Key to right hand accented triplets post, here is a set of exercises for getting my recommended stickings together: Get the pdf
Key to right hand accented triplets using Syncopation
There’s a very common interpretation used with Ted Reed’s Syncopation: the right hand plays the melody line, swinging the 8th notes, and the left hand fills out the triplets— hopefully everyone has heard of that […]
Todd’s methods: Tiki’s 32nds
This is a little loosy-goosy method I improvised yesterday afternoon while practicing along with Maggot Brain, by Funkadelic. There are several medium-tempo, 16th note-based grooves on the record, and the drummer, Tiki Fulwood, tends to […]
Basic 8th note rhythms
This is a straight library piece— I’ve just transcribed the quarter note exercises from Reed into 8th notes in cut time, which will be more useful to me than the original. This same basic collection […]