Continuing our previous Reed interpretation for comping with 16th notes in jazz, this time using the 8th note section of Syncopation— pp. 10-11, or “Lesson 4” in the new edition. The written rhythms on those […]
Category: syncopation
A Reed method for 16th notes in jazz — reading the quarter note sections
Over the course of a few posts I’ll break down my method for developing jazz comping with 16th notes, using Syncopation by Ted Reed. 16th notes are used a lot in jazz, and drummers neglecting […]
“Skiplet” analysis— a line of music
Continuing with the analysis portion of this skiplet-based method of jazz coordination-thingy, in which, in order to learn independence vs. a jazz time feel, we orient everything around the three close-together notes of the cymbal […]
Generic Latin method for Syncopation: part 1
Here’s a basic method for doing a generic, Afro-Cuban-derived Latin feel using the book Syncopation. We’ll be taking rhythmic patterns out of Reed, and using them as our bell pattern, playing them with the right […]
Reed interpretation: fast within slow — alternative sticking
Here’s another set of stickings for that last “fast within slow” Reed interpretation. The major thing we’ll be using is the sixtuplet form of the six stroke roll— or the “Swiss” sixtuplet, as I sometimes […]
Reed interpretation: fast within slow
Our philosophy around here is to never stray too far from Reed without good reason— I have to relearn that every few years. So here’s a thing for beginning to develop the Jack Dejohnette-style “fast within […]
Syncopation exercises in 3/4 — 01
This is a straight library piece: some syncopation exercises in 3/4, similar to the one-measure exercises in the middle section of Ted Reed’s Syncopation, for doing all of the usual things you do with that […]
Todd’s methods: Reed with RB and BR
Playing Latin styles, you end up using a lot of sticking combinations of RB and BR— B meaning both hands together— so here’s a basic way of using Ted Reed’s Syncopation to work on that. […]
What to do with Reed
I stumbled across this in the depths of the Drummerworld discussion forum— drum instructor Jacob Kaye from Montreal has posted a little summary of some of the stickings used with Ted Reed’s Syncopation. I don’t […]
Doubling up a ballad feel with Syncopation
Happy new year, everybody. I’m practicing a lot of slow tempos lately, so here are some Reed interpretations that will be familiar to all jazz students, written out to suggest double time during a ballad. […]
Kerrigan syncopation exercise in 6/8
I guess there’s no getting around it: we’re all about the 6/8 these days— there’s a whole bunch more of this on deck. This is a Chuck Kerrigan syncopation exercise, from his very useful Syncopated […]
Good reading
Ignore the model’s bad posture, tucked-in muscle shirt, and Bay City Rollers hairdo, and buy the book. If you’ve worked with Ted Reed’s Syncopation in any serious way you’ve probably sensed that it has a […]