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Category: syncopation

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Stick Control implied rhythms

  • February 27, 2012
  • 0

I hope you dig all of this Stick Control stuff; I just happen to be working with this book a lot right now. One of my reservations I’ve always had about it- about the way […]

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A crash course in the ECM feel

  • February 22, 2012
  • 4

Look for the photos with water and the Helvetica font. The “ECM feel”, as it’s now being called, is a style that evolved in the late 1960’s and 70’s, and has since become one of […]

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Basic solo vocabulary with Syncopation

  • February 13, 2012
  • 0

Hey, it’s been awhile since I’ve posted anything downloadable of my own, and you don’t want to hear me prattle on about cymbals and crap, so here’s a basic solo vocabulary builder I’ve been working […]

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Paradiddle-diddle method for uptempo jazz

  • January 17, 2012
  • 2

This is something I developed for both for getting some relief while playing fast tempos, and for doing a modern feel without getting your cymbal pattern lost in the weeds. The seed of the idea […]

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Todd’s paradiddle-diddle interpretation

  • January 16, 2012
  • 0

This is the first practice method for the pages of syncopation exercises I posted the other day. Today I’ll give it to you just for the hands only, then later I’ll show you how I […]

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Syncopation exercises with dotted quarter notes

  • January 15, 2012
  • 0

This is one of many pages of original Syncopation variants I’ve written up, in this case restricted to combinations of dotted quarter notes, quarter notes, and single 8th notes. I’ve devised a few interpretive methods […]

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On “feathering” the bass drum

  • January 8, 2012
  • 0

what is this The word refers to playing quarter notes lightly on the bass drum as part of your jazz time feel. They used to call this playing the bass drum— I never heard the […]

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Todd’s methods: Reed triplets in steps – BD

  • December 19, 2011
  • 0

One of the common interpretations applied to Ted Reed’s Syncopation is to fill out the written rhythm with triplets, which can be pretty technically challenging due to all the doubles and multiples that come up. […]

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Todd’s methods: Son of Daku-daku-paradiddle

  • October 13, 2011
  • 0

Right, I’m starting to regret the name I made up for this thing– until I think of the alternative, long-winded description for this very common pattern. Now if I can just bring myself to call […]

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Big band figure builder

  • September 25, 2011
  • 0

Here’s another installment of a thing I’ve been doing with several students, using Syncopation lesson 4 to get familiar with the basic moves and reading associated with setting up and kicking big band figures (“cutting” […]

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Simple variations on Syncopation, Lesson 4

  • September 12, 2011
  • 0

That’s pages 10-11 for those of you with the old edition– as you can see I’ve given up completely and started referring to the parts by their new edition names. I’ve been working with this […]

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Page 37

  • August 26, 2011
  • 2

From my torn-up original 1982 copy of Syncopation, still in use:  

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About the author:

Todd Bishop is a drummer, drum teacher, Origin recording artist, blogger(hey?), visual artist, and cymbal dealer living in Portland, Oregon.

Get lessons with Todd, in-person in Portland, or via Zoom/Facetime/MS Teams worldwide.

Follow / support us on Patreon
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Support us through PayPal:

Also visit my site CYMBALISTIC to get some great cymbals made in Turkey, by Cymbal & Gong. They're some of the finest cymbals in the world for anyone seeking a traditional 50s/60s jazz sound. I play them, players love them. Be sure to check out our own speciality model, the Extra Special Janavar.

You can also purchase my books, including Syncopation in 3/4, 100 Grooves, Samba & Bossa Nova Field Manual, and the Books of the Blog from 2011-2018, as well as some CSD! merchandise.

NEWS: On November 6-9 we will be bringing cymbals to Berlin and Dresden, Germany. Get on the mailing list @ Cymbalistic for locations and updates.

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