Right, so it looks like we’ll be doing a lot with this triplet feel this week— mainly getting comfy improvising within this 12/8-style blues, soul or pop groove. Think Lopsy Lu, Higher Ground, Isn’t She […]
Category: syncopation
Reed interpretation: triplets with breaks
I don’t why it took me over 30 years to figure this out— I’m always looking for ways to simplify things, to make them more playable. This is an alternative to a very common, popular, […]
EZ Reed method with flams and 16th notes
Another “EZ” Reed method for rock/funk fills, similar to our recent triplet method, this time using pp. 24-27 from Syncopation. I won’t break it down completely, but you can figure it out by looking at the […]
A good book you should all chase down
Look for the book withthe really goofy cover. I just want to take a moment again to recommend you all try to find a copy of the book Syncopated Rhythms for the Contemporary Drummer by […]
EZ Reed interpretation: triplet lick
Here’s an easy practice method for use with Ted Reed’s Syncopation, developing a triplet lick. What I like about these things is they’re finite. You do the fifteen lines, plus the long exercise, and you’re […]
EZ Tony Williams-like method
EZ-ish. The concept is extremely simple, anyway. Scarcely worth writing up, but here it is. And when I say Tony Williams-like, I mean “it reminds me of one thing he kind of did on a […]
Why Syncopation is so great
Here’s a question that comes up often, and which I always I feel I have to address every time I have a new student buy Ted Reed’s Progressive Steps To Syncopation: “Whuh— this is just […]
Orchestrations of a figure: Groove Elation
Today we’ll do a little survey of ways of orchestrating on the drums a rhythmic figure— the bass line from the tune Groove Elation, by John Scofield. It’s a bright New Orleans-influenced thing, with a […]
EZ cut time funk method
Here’s an easy cut time funk technical study, sort of a flanker for my basic method, serving really no purpose except to set up a situation where unexpected things can happen. It’s easy to get […]
Cut time funk method: two-measure grooves
I’ve been working quite a bit with this cut time funk method from last year— part of what I’ve been doing instead of writing more blog posts. I’m not just writing junk to burn up […]
2-3-4 Method
With today’s “2-3-4” method, I’m getting into the “give your practice idea a name so people will remember it and treat it like it’s a thing” racket. This is a pretty easy method for use […]
Rhythms in 7/4
Here’s a page of basic rhythms in 7/4 to go with yesterday’s practice loop. The vamp on the loop is phrased in 3+2+2/4, so I’ve given a Ted Reed-style guide part on the bass drum line […]