Another “EZ” Reed method for rock/funk fills, similar to our recent triplet method, this time using pp. 24-27 from Syncopation. I won’t break it down completely, but you can figure it out by looking at the […]
Category: Reed
EZ Reed interpretation: triplet lick
Here’s an easy practice method for use with Ted Reed’s Syncopation, developing a triplet lick. What I like about these things is they’re finite. You do the fifteen lines, plus the long exercise, and you’re […]
Orchestrations of a figure: Groove Elation
Today we’ll do a little survey of ways of orchestrating on the drums a rhythmic figure— the bass line from the tune Groove Elation, by John Scofield. It’s a bright New Orleans-influenced thing, with a […]
EZ cut time funk method
Here’s an easy cut time funk technical study, sort of a flanker for my basic method, serving really no purpose except to set up a situation where unexpected things can happen. It’s easy to get […]
Basic jazz method with varying cymbal pattern
Please forgive the lack of posting here— it’s been in the high 90s/low 100s in Portland for over a week, and it’s putting a serious damper on my productivity. The climate in the Pacific Northwest […]
Quarter note Reed method: Maiden Voyage
People, I am all about the quarter notes these days. This is an easy method using the rhythm of the vamp from the Herbie Hancock tune Maiden Voyage— we’ll combine that rhythm, played on the […]
Half-time feel to regular 4/4
We’ll be marking time a little bit this week, saving up the big, good stuff for our fund raiser, which is going to be next week. As I mentioned in our last half-time feel funk […]
Half-time feel funk: the “Syncopation” section — 01
Here’s a new chapter to our recent half-time feel funk series, using Progressive Steps To Syncopation, by Ted Reed. Here we’re going to get into the “Syncopation” section of the book— pp. 32-44 in the […]
Half-time feel funk: advanced method — open hihat
Here’s the next step for this half-time funk method we’ve been doing, using Syncopation, by Ted Reed. On the intermediate method and on this one we’ll be using the pages with quarter notes, 8th notes, […]
Half-time feel funk: basic method
Here’s a basic method for working with the half time feel funk grooves from the other day. We’ll be reading out of Syncopation, by Ted Reed, pp. 10-11 (from the old edition) or Lesson 4 […]
“Skiplet” analysis— a line of music
Continuing with the analysis portion of this skiplet-based method of jazz coordination-thingy, in which, in order to learn independence vs. a jazz time feel, we orient everything around the three close-together notes of the cymbal […]
Generic Latin method for Syncopation: part 1
Here’s a basic method for doing a generic, Afro-Cuban-derived Latin feel using the book Syncopation. We’ll be taking rhythmic patterns out of Reed, and using them as our bell pattern, playing them with the right […]