This is a page I wanted when I was practicing yesterday— whatever I was doing was hard enough that I wanted to see these written out, all together. They’re simple, so they’re good starting independence […]
Category: Reed interpretations
Marking up Reed
You know, I think we should all own multiple copies of Syncopation— first because they tend to get destroyed through use, second so we can pencil in our own changes without turning the book into […]
Reed interpretation: alternating triplets, no left on cymbals
Interesting, unusual little tweak streamlining a standard Reed triplet method, that should be good for fills, and for creating an easy, open triplet texture with a strong foundation in the bass drum. Probably helpful for […]
Dejohnette-like method
The cosmos gave me a couple of instances of Jack Dejohnette yesterday— I got to work on that Jack Dejohnette transcription, and also happened to also catch him on the radio (KMHD.org, The Afternoon Bridge, […]
Syncopation exercise: p. 38 with ties added
One minor gap in the rhythms covered in Syncopation— that’s a drumming book, hahaha omg— is that there aren’t so many syncopated long notes on the “weak” beats, 2 and 4. There are relatively few ties […]
EZ ECM feel – 01 – unisons
This is the first part of a little method I used in a lesson recently, for introducing what has become known as an ECM-type feel— a modern, non-repetitive, quasi-linear, straight 8th jazz feel. See Jon […]
Reed tweak: four beats per drum, cycling
Here’s an easy way to modernize your melodic phrasing when playing an ordinary thing using Syncopation— everyone knows about playing the melody parts from the book on the snare drum and bass drum, along with […]
Youtubed: practicing Syncopation
I’m feeling a little irked at the existence of YouTube drumming videos today, so let’s do a search of a subject near and dear to me, practicing the book Progressive Steps to Syncopation, and see […]
Reed tweak: filling the long gaps
Here’s a tweak to an ordinary straight 8th note Syncopation practice method: right hand plays the melody rhythm, left hand fills in the remaining 8th notes. Usually with the RH on a cymbal, with the […]
Reed interpretations: new uptempo method
All right, I found the way to use Reed at faster jazz tempos. My “the way”, anyhow. I’ve mostly been winging my uptempo jazz comping until now— I never had materials I really liked for […]
Reed tweak: bass in the middle of the triplet
Let’s take a break from watching the national degradation of the United States and its democratic form of government reach its apex live on Twitter/TV, wanna? Yesterday I was practicing one of my recent Reed […]
Another Reed tweak
Another minor tweak on a normal Reed method, in a jazz feel. It’s good to have some easy options to relieve the tedium, and to bring more of the texture of real playing into it. […]