This is the first practice method for the pages of syncopation exercises I posted the other day. Today I’ll give it to you just for the hands only, then later I’ll show you how I […]
Category: Reed interpretations
Todd’s methods: Son of Daku-daku-paradiddle
Right, I’m starting to regret the name I made up for this thing– until I think of the alternative, long-winded description for this very common pattern. Now if I can just bring myself to call […]
Todd’s Methods, Pt. 1: daku-daku-paradiddle
New series: quick and dirty presentation of some of my practice methods. The idea is to write them up fast and on one page, so explanations may not be as thorough as everyone would like. […]
16th note fills using Syncopation – Part 1
This is the first part of a method for working on 16th note fills, which I developed for my intermediate students. It requires some selective reading, but in a constructive way- the same type of […]
Kicks and set-ups using Syncopation
Here’s a little method I devised for working on basic big band-style kicks and set-ups, using Ted Reed’s Syncopation. Like many of the ways of working with Reed, it involves some selective reading/interpretation, but in […]