I’m pretty sure I’ve posted this somewhere on the site, but maybe I didn’t share it as a finished drill. This is a reasonably easy thing for getting your reading, bass drum chops, effective use […]
Category: Reed interpretations
EZ Zigaboo method
Should have included this when I first made this up way back when, but… here’s an EZ entry into my quite challenging and extensive Zigaboo Modeliste/Cissy Strut-style practice method. It’s a way of playing funk […]
EZ linear solo method
Ever find yourself playing too much bass drum? It’s easy to do when, like me, you practice out of Syncopation a lot. And a thing I’ve noticed in doing so many transcriptions is how sparsely many […]
EZ Tony-like method: two variations
We’re calling this “Tony Williams-like” on the thinnest possible pretext, of course— playing it, it reminded me of some things he did on Frelon Brun, is all. These are two even easier things you can […]
EZ bass drum workout and double bass developer
Have I not posted this before? This is a variation on my cut time funk method, strictly designed as a bass drum workout. It also makes an excellent double-bass single strokes developer. This should be […]
Reed method: fast rock – advanced
I hope you— students and teachers— are using my Reed method for playing rock beats. I think it’s one of the better things I’ve come up with— it’s just a more musical way of learning […]
EZ Tony Williams-like method: another setting
Here’s something that was leading me into a very modern, hiccupy, vaguely Chris Dave-like jazz concept. I was practicing along with the Coltrane recording of Big Nick, a medium-slow swing tune, and found myself doing […]
EZ Reed interpretation: another triplet lick
I like these Reed interpretations using the early part of the book. You can just play through fifteen lines of exercises, plus a 16-20 bar exercise, and be done with it. FINITE ASSIGNMENTS, people. Not […]
Basic fluency in 12/8
Right, so it looks like we’ll be doing a lot with this triplet feel this week— mainly getting comfy improvising within this 12/8-style blues, soul or pop groove. Think Lopsy Lu, Higher Ground, Isn’t She […]
Reed interpretation: triplets with breaks
I don’t why it took me over 30 years to figure this out— I’m always looking for ways to simplify things, to make them more playable. This is an alternative to a very common, popular, […]
New Orleans street beat – Reed method
As promised, another method for developing a NOLA street beat, this one perhaps more musical than the last. Definitely. Here we’ll be using Progressive Steps to Syncopation, by Ted Reed, pp. 33-44— the “Syncopation” section […]
EZ Reed interpretation: triplet lick
Here’s an easy practice method for use with Ted Reed’s Syncopation, developing a triplet lick. What I like about these things is they’re finite. You do the fifteen lines, plus the long exercise, and you’re […]