Stupid in the form of a polyrhythm

Ever wonder how to play a 3:4:5:6 polyrhythm? Well, here you go: Those are the kinds of questions people ask at music.stack.exchange, where I’ve been visiting recently. It’s somewhat refreshingly fact oriented— it’s heavily moderated […]

Hemiola basics – UPDATED

On the sage advice of a fifth grade student, I’ve revised this old page introducing the 3:2 polyrhythm, or hemiola. I’ve added a few variations and inversions, added stickings and syllables for counting… and deleted […]