Major rehash alert: an uptempo jazz drill I was playing yesterday, using what John Riley once called “my C major scale”: an SSBB pattern in 8th notes, with notes omitted. The page below is very […]
Category: John Riley
Unearned info
A long, wordy post with extended quotes from a forum questioner, who felt that the knowledge in drumming books may come too cheaply, and from drummer and author John Riley, who showed up out of […]
Page o’ coordination: the with interruptions – 04
I don’t like giving you pages with too many patterns on them. When I do that, the idea is that you move through the patterns quickly, and cover them all in one unit of practice— […]
Page o’ coordination: That with interruptions – 03
I like this little series. Nothing radically innovative, but a slightly different way of thinking about normal jazz comping vocabulary, courtesy of John Riley. These pages aren’t ordered for total beginners— if I were teaching […]
Page o’ coordination: that with interruptions – 02
Another page of basic jazz comping/independence patterns, coming from a slightly different angle. At a recent John Riley clinic, he talked about one pattern he had been practicing, with variations, for about 50 years: SSBB. […]
Page o’ coordination: that with interruptions
A rare opportunity to do a POC in 4, with lightning turnaround, no less. I attended a clinic by John Riley and Terrell Stafford in Portland this afternoon, and they were each telling what they […]
Riley’n me
Anyone who follows this blog has certainly heard of John Riley— drummer and author of the book The Art of Bop Drumming, among other titles. He’s a leading authority, and one of the most influential […]
Paradiddle-diddle method for uptempo jazz
This is something I developed for both for getting some relief while playing fast tempos, and for doing a modern feel without getting your cymbal pattern lost in the weeds. The seed of the idea […]