Fun little item here, modifying the straight 8th right hand lead system commonly applied to the book Syncopation. Where there are two or more 8ths of left hand filler, we’ll play 16ths, starting with a […]
Category: fills
Beats to fills
Here’s a connecter idea, using some rock beats written normally, a la Funky Primer, but playing them as cymbal accents with fills, as in this rock fill drill— hitting accents on the cymbal/bass drum, and […]
Embellished filler with RH lead triplets – 01
I’m pretty sure I’ve written something like this before, but navigating my voluminous archives is no easier for me than it is for you. This is a sketch of some ideas in an upcoming[??? -tb] […]
EZ tom ruff phrases
Here are some more practice phrase ideas for the tom ruffs. This is an underrated item, it should be a lot of fun. Rock out. As the stickings on patterns 1 and 2 indicate, when […]
Rock fills with Reed – 01
Bringing these recent right hand lead Reed tweaks into some basic day to day rock vocabulary. I’ll illustrate these using the tom ruffs we looked at recently— try them with any of the other things […]
Four on the floor
It is said that, on the drum set, there are snare drummers and cymbal players— I would also say there are bass drummers and hihat players. I’ve always been a hihat player— meaning, I’ll often […]
Rhythm fills – dotted quarter and half note space
Minor little item, that can be done by itself as an elementary thing, or that can be used along with Syncopation. I wrote it to work through some fill alternatives within a right hand lead […]
Reed interpretations: tom ruffs
Fun item inspired by watching some Bob Newhart Show reruns— I watched it a lot as a kid, and the drumming on the theme music made an impression well before I started playing. In the […]
Reed interpretation: slow tempo / fast singles
I guess you could do this with Reed— or just practice the page below by itself and start using it. NOTE: After completing this post, I see that I wrote two very similar things back […]
Reed tweak: alternating triplets in 3
This came up while I was practicing out of my book, Syncopation in 3. An extremely ordinary practice system used with Syncopation is to a) swing the top line rhythm, b) fill in the remaining […]
Chaffee linear system: alternative 4s/6s
Something I’ve been playing with— as you know, Gary Chaffee’s linear system is based on 3-8 note patterns, starting with the right hand, alternating sticking, ending with one or two bass drum notes. I don’t […]