Here’s a quick take of a tune that will be part of my set on the Europe trip this year: Mevlevia, from the Gary Burton record Ring, with drumming by Bob Moses. This is one […]
Category: ECM
DBMITW: Jon Christensen is great
Jon Christensen, on Ralph Towner’s Solstice: Maybe it’s not a perfect analogue, but I think of him as the Billy Higgins of the fusion era– an egoless (in his playing, at least!), perfectly musical drummer. […]
More Stone on the drums
Here’s something timely to the ECM feel post. I’ve been using Stick Control quite a bit in my practicing lately- particularly my application in 5/4 (and a similar thing in 7/4), and in fooling with […]
A crash course in the ECM feel
Look for the photos with water and the Helvetica font. The “ECM feel”, as it’s now being called, is a style that evolved in the late 1960’s and 70’s, and has since become one of […]
Transcription: Jon Christensen – Dansere
This goes out to my old friend Tim Willcox, who turned me on to this record- Jan Garbarek’s Dansere, with Jon Christensen on drums. Christensen is pretty important to the current thing going on in […]
Jon Christensen solo
Via Trap’d, here’s a solo by Jon Christensen: He has always struck me as being sort of the Billy Higgins of the ECM era- egoless-seeming, non-pyrotechnic. I’m working on a transcription of one of his […]
Solo transcription: Jack Dejohnette – God Bless The Child
Another example of that ECM gospel feel with my original transcription of Jack Dejohnette’s famous solo on God Bless The Child, from Keith Jarrett’s Standards Volume 1: Keith Jarrett – Standards, Vol. 1 ECM B000VAKNLK […]
Transcription: Jon Christensen – Long As You Know You’re Living Yours
Here’s Jon Christensen playing some of those ECM backbeats on Long As You Know You’re Living Yours, from Keith Jarrett’s Belonging. I mean to tackle the big one- The Windup- soon, but in the mean […]
Favorite albums: Dance by Paul Motian
New feature: I’ll mention records that have meant a lot to me and write a little bit about them. Writing about musical experiences is not my thing, and I am not a jazz critic, so […]