Launching to the outer limits of what you can reasonably do with Syncopation, verging on losing the melody rhythm as a point of reference. Or not, see what you make of it. Using one of […]
Category: ECM
Transcription: Jack Dejohnette – Tumbleweed – 01
Jack Dejohnette playing on Tumbleweed, from Michael Brecker’s album Pilgramage— released a few months after his death. This is the type of playing much of what we do here is in service of. For a […]
Transcription: Jack Dejohnette – Gentle Rain
This tune shows you one way of opening up a Bossa Nova groove, in a modern jazz setting. It’s Jack Dejohnette playing on Gentle Rain, from George Benson’s album Beyond The Blue Horizon. I’m listening […]
EZ ECM: entry to 7/4
Hey, a few broad, non-technical creative possibilities for playing a straight-8th, ECM-type texture in 7/4, which also apply to using Ted Reed’s Syncopation on the drum set broadly. First, we need some rhythms to work […]
Groove o’ the day: Jack Dejohnette – Polar AC
Jack Dejohnette playing a straight 8th groove on Freddie Hubbard’s Polar AC. This gets called an ECM feel today, but maybe we should start calling it a CTI feel. Change it up, direct people to […]
Dejohnette patterns
UPDATE: Oops, there’s a duplicate pattern in there— I think pattern 9 happens three times. And I got sloppy with my beaming standard. Oh well, it happens when you’re rushing to post stuff. Some […]
Transcription: Jack Dejohnette – Directions
Here’s that Jack Dejohnette transcription I mentioned yesterday— on the intro of Directions, from Miles Davis Live at the Fillmore East – It’s About Time. The 8th note quintuplets I mentioned happen right up front, […]
Dejohnette-like method
The cosmos gave me a couple of instances of Jack Dejohnette yesterday— I got to work on that Jack Dejohnette transcription, and also happened to also catch him on the radio (KMHD.org, The Afternoon Bridge, […]
EZ ECM feel – 01 – unisons
This is the first part of a little method I used in a lesson recently, for introducing what has become known as an ECM-type feel— a modern, non-repetitive, quasi-linear, straight 8th jazz feel. See Jon […]
Reed tweak: filling the long gaps
Here’s a tweak to an ordinary straight 8th note Syncopation practice method: right hand plays the melody rhythm, left hand fills in the remaining 8th notes. Usually with the RH on a cymbal, with the […]
Transcription: Bill Stewart solo
Something released in a year starting with a 2, for once. Here Bill Stewart solos during James, from Pat Metheny’s Trio – Live record. Stewart is a few months older than me, and is sort […]
From the zone: ECM feel
Here’s something sent in by Ed Stalling of Missoula, Montana. He mentioned being inspired by my ECM feel post from 2012— which definitely needs to be revisited and some links updated— but he’s got his […]