Here’s some great playing from one of my favorite Brazilian drummers, Milton Banana: Bonus Banana after the break:
Category: daily best music in the world
DBMITW: The Hawaii 5-0 fill, redux
What this Hawaii 5-0 nonsense is about, for people under the age of 40-something. Get Tale Spinnin’ by Weather Report
DBMITW: Owl of Cranston
Here’s a fun tune I’ll be playing on tour next month: Paul Motian is the Owl of Cranston— I have no idea what that means, but it seems to fit. I guess I’m not the […]
DBMITW: more George Duke
This is a little bit of a listening test from George Duke’s Brazilian Love Affair, again, with Ricky Lawson on drums. It would be easy for a lot of people to give this a cursory […]
Busy
Busy all day doing tour-related junk, and transcribing charts– Blood by Paul Bley, Priestess by Billy Harper, following Gil Evans’s arrangement, and a couple of Don Cherry tunes I used to play in the 90’s. […]
DBMITW: George Duke
Here’s Sugar Loaf Mountain, from George Duke’s Brazilian Love Affair, one of the three essential albums of his, along with Reach For It and Frank Zappa’s Roxy & Elsewhere. That’s Ricky Lawson providing the crushing […]
DBMITW: Jon Christensen is great
Jon Christensen, on Ralph Towner’s Solstice: Maybe it’s not a perfect analogue, but I think of him as the Billy Higgins of the fusion era– an egoless (in his playing, at least!), perfectly musical drummer. […]
DBMITW: freight train
Several clips of Tony Williams during his early 70’s “freight train from hell” phase: With Stan Getz, along with Chick Corea and Stanley Clarke: Continued after the break: With Lifetime: Master of the single […]
DBMITW: Vibrafinger!
Here Gary Burton runs his vibes through a Big Muff. Great tune, but everyone’s really just waiting for them to play the little ’70’s-style hook at the end of the ensemble lick again. This is […]
DBMITW: Art Ensemble of Chicago
I’ve got several things brewing– including, but not limited to the rest of the series on playing in 5/4— but they’re all taking their sweet time getting finished, so in the mean time, here’s some […]
DBMITW: the kind of playing I’d like to hear more of
With hyperactive fast-16th-to-32nd notes kind of dominating drummers’ collective mindspace today, I love hearing some utterly happening 8th note-based playing: Also:
DBMITW: Rated X
From Miles Davis’s Get Up With It: That’s the great Michael Henderson on bass. From Wikipedia: Davis saw the young Henderson performing [with Stevie Wonder] at the Copacabana in New York City in early 1970 […]