Grady Tate playing a heavy Afro-Cuban style groove, or Afro 6, as I’ve been calling it, on Grant Green’s The Final Comedown movie soundtrack. The track is Soul Food African Shop, and the transcription is of the percussion break starting at 0:48.
Bar 7 is probably the cleanest shot of his baseline groove here. He’s hitting the bell of the cymbal, except in bar 6 where he moves his hand between a couple of cymbals. He hits the the drums strongly all the way, with a feeling of building into the next beat 1, a standard thing with this style.
Feet are in unison on the dotted quarters throughout— there is some dynamic variance in them, mainly occasional ghosted notes in the bass drum, which I wouldn’t call accidental. I think he’s very aware of the dynamic movement from beat to beat, and is sometimes getting the bass drum to help with that, mainly coming down with it in the middle of the measure, or on beat 3 as he builds into the next downbeat.