Continuing this subtractive thing using another common Latin bell rhythm, a Rumba rhythm, Guaguanco. There isn’t typically a bell used in Guaguanco, but played on the drum set, it’s the equivalent of the bell rhythm; if you want to be slightly less inauthentic, play it on a jamblock or shell of the drum or some kind of wood sound. I’m playing it mainly on the ride cymbal. I just want to play creatively in the kind of quasi-Latin stylings done by jazz musicians— and not be totally lost playing music that is actually clave-based.
Before getting into it, it helps to think about the bell pattern a little bit. I found it helps to orient around the 2& in the first measure, and the 3& in the second measure. For me the rest of the pattern falls naturally if I just play the 2& and 3& in the right spot.
Also note the three right hand doubles in a row from that 3& through the repeat:
It’s also a good idea to practice each measure individually before doing the full pattern.
And once again, these two pages are very substantial by themselves. You could practice this system while reading out of Syncopation (pp. 4-5, 10-11, 30-45), or not. I think it’s worthwhile. Playing the Mozambique bell part, I was able to do all of the one-line patterns easily; doing the longer exercises is going to take more practice.
If you get into my Latin loops archive, there are several suitable loops at reasonable tempos— look for the ones labeled Rumba.