I wrote this to isolate some things used in my main uptempo Reed method— which I continue to find an excellent method. This is good if you need to polish a few of those bass drum patterns in a more focused way.
I’ve simplified the structure somewhat— the third camp just repeats the last two measures of the second camp, backwards. The piece really needed that tiny bit of variety, and I find this a little dull to practice. I’ll probably skip the whole last section altogether. Still, it’s better than just practicing a one measure pattern over and over again, right?