This is the second in an extremely short series covering the bare essentials of what you need for “drumistic” fill, variation, and solo material across a variety of styles— you can read the intro to the previous entry to get a sense of what I’m about here. Usually you arrive at these patterns via a Reed interpretation, but for my purposes here I wanted to present them in their complete state:
Play these with your right hand on the toms, snare, and/or cymbal with the bass drum in unison. Run them in a moderate-to-fast 4 (two or three notes per foot tap, that is), and in a moderate 2 (four or six notes per foot tap). Try to get off of the page as quickly as possible— there are actually only a few basic moves for each rhythm, and you should be able to improvise with these “by feel” pretty quickly.