Here are my new transcriptions of a couple of famous Philly Joe Jones intros from Everybody Digs Bill Evans, plus one not-so-famous by Marty Morell, from But Beautiful, Evans’ great live record with Stan Getz. Night and Day is a little sketchy- sorting out the part between the rim clicks, rim shots, regular notes, pitch bends, and muffled notes was quite tricky. I had always assumed the beginning was out of time, but it does fit into 4/4, only breathing slightly on the rests.
Related Posts
1996 Paul Motian interview, part 3: ding ding GA-ding
- Todd Bishop
- January 27, 2011
- 0
Third part of my excerpts of Chuck Braman’s 1996 Paul Motian interview. TIPS AND COMMENTS: Chuck: Did any of the musicians you worked with ever offer you any advice or make musical comments that struck […]
Daily best music in the world: Peace Piece
- Todd Bishop
- November 6, 2015
- 0
Seems like the perfect time of year for this. I had been away from one of my favorite records in the world, Everybody Digs Bill Evans, for long enough that for a moment I forgot […]
1996 Paul Motian interview, part 2: I Don’t Have To Do S**t
- Todd Bishop
- January 27, 2011
- 0
Part 2 of my excerpts of Chuck Braman’s 1996 Paul Motian interview. Here Motian discusses his approach to the instrument. NOT THINKING DRUMSET: Chuck: What would you say is the central concept of how you […]