If you’re not doing anything with this system, you should give it a try. It’s a way of orchestrating rhythms from Syncopation (or rhythms from wherever) between the snare drum and bass drum, based on […]
Category: subtractive method
Tresillo unit
For a couple of weeks I’ve been working with an area of stuff covering several different styles— grooves with a tresillo rhythm, or part of it, in the bass drum. I’ve been polishing it for […]
Subtractive method: one practice approach
A lot of commitments right now, and posting will continue to be light through next weekend. Congratulations to Justin in Omaha for getting the 22″ Extra Special Janavar “Emilia”— there is now one of those […]
Uptempo drill a la Riley
Major rehash alert: an uptempo jazz drill I was playing yesterday, using what John Riley once called “my C major scale”: an SSBB pattern in 8th notes, with notes omitted. The page below is very […]
Subtractive method: an alternative approach
I just saw this from brother writer Jon McCaslin, over at the excellent and much hipper-named Four On The Floor blog: a Syncopated Stick Control method, which he’s using to bring some rhythm interest to practicing Stone. […]
Subtractive patterns for feathering the bass drum
A collection of subtractive patterns for developing feathering the bass drum in jazz— for sketching it in, and making punctuations, anyway, since this will mostly not have you playing running quarter notes. Learning to support […]
Subtractive patterns for jazz snare and bass
Continuing to develop this subtractive method, here are some good patterns for snare drum and bass drum in a jazz feel. I’m digging the system. It allows me to put whatever part I want consistently […]
Page o’ coordination: prep for subtractive method with Rumba bell
Continuing this subtractive thing using another common Latin bell rhythm, a Rumba rhythm, Guaguanco. There isn’t typically a bell used in Guaguanco, but played on the drum set, it’s the equivalent of the bell rhythm; […]
Subtractive method: batucada
This developing subtractive method is becoming really interesting. It makes it much easier to write and communicate more complex orchestrations than in the past— which is not an end in itself, it just makes it […]
Subtractive patterns for jazz hihat
What this new subtractive method is good for: making it easy to create and communicate rather specific, specialized orchestration/voicing systems on the drum set. Like, for the hihat in jazz— I have never cared for […]
Subtractive method overview
Here’s a broad overview of this subtractive thing I’ve been working with. It’s a new approach, but not unprecedented, and I think it’s worth exploring. The idea starts with a Stone-type 8th note sticking pattern, […]
Page o’ coodination: prep for subtractive method with Mozambique bell
I wrote this for my own use— I was attempting to do that recent subtractive Reed method with the more complex Mozambique bell rhythm, and it will go much faster to see the warm up […]