I don’t know what to call this category of thing— I was listening to some Jack Dejohnette, where he would play something on the snare drum, beginning with a unison accent on the snare and […]
Category: solo materials
Building a hybrid Reed interpretation
A short item— that’s all I have time for lately: some hybrid Syncopation-based systems are brewing, where we do one basic thing, and alter it one step further, creating some connections between ideas, and opening things up, […]
Reed tweak: RH lead triplets – five stroke rolls
This is where my thinking is going lately, towards breaking up some Reed practice systems so they’re not pure formula. Which I have always done anyway, just not very systematically. We want to make our […]
Solo ideas in 3/4
We’ll be seeing more with this format— solo and fill ideas for a certain amount of space between cymbal/bass drum accents. It’s the normal frame for fills, but I don’t see fill studies written that […]
Transcription: Philly Joe trading
Here is Philly Joe Jones trading eights and fours with Bill Evans on Minority, from one of my favorite records, Everybody Digs Bill Evans. It’s a good tune to learn. I’ve written just the drum […]
Transcription: Peter Erskine – Duo – 04
Here are the next 30 seconds / 32 bars of Duo, played by Peter Erksine and Bob Mintzer, from Mintzer’s record Hymn. The whole track is about three and a half minutes long, so there […]
Reed tweak of a tweak: ending a solo phrase
Here’s a very small but useful tweak of a tweak: remember the Reed system with alternating triplets, hitting the accents on cymbals + bass drum… except we’d leave out the LH cymbal hits? It’s a good […]
Solo transcription: Joey Baron – Goldfish
Joey Baron’s solo over a 7/4 vamp on Goldfish, from Dave Douglas’s 1997 album Stargazer, to which I’m listening a lot this week. There’s not a ton of drumistic content to it, it’s more of […]
Reed interpretation: slow tempo / fast singles
I guess you could do this with Reed— or just practice the page below by itself and start using it. NOTE: After completing this post, I see that I wrote two very similar things back […]
Transcription: Max fours
I am not screwing around people, this is now an ALL Max Roach site. Here he is trading fours on Minor Meeting, from the record Sonny Clark Trio, from 1960— there’s another record by that […]
Reed tweak: alternating triplets in 3
This came up while I was practicing out of my book, Syncopation in 3. An extremely ordinary practice system used with Syncopation is to a) swing the top line rhythm, b) fill in the remaining […]
Transcription: Max soloing
On this second of two days of major acts of white supremacist violence here in this paradise we call “the USA”, let’s retreat into art, with part 2 of the thing from the other day: […]