A special selection of syncopation rhythms for use with this multi-post samba method in progress (the main post is still to come), but obviously you can do other things with it. It would be good for […]
Category: Reed
Syncopation exercise: singles, doubles – 2-3 8th intervals
Another original syncopation exercise. The last one had single notes, spaced one or two 8th notes apart. This one has one or two notes in a row, one or two 8ths apart. Both are really […]
Syncopation exercise – singles, 2-3 8th intervals
Let’s start a little series here: some full page syncopation exercises, each designed for a special purpose. Good for fluency and ease of practice with certain practice methods, good for a particular challenge with others. […]
Funk drill tweak
This is a minor tweak to my standard funk drill using Ted Reed’s Syncopation. It was played by mistake by one of my students (6th grader), but it sounded good so I decided to keep […]
A simple solo method
Here’s a simple, non-technical solo method I was just working on with a student… …a SKYPE student… did you know I teach lessons via Skype? I do. Anything you ever have questions about on the […]
EZ uptempo jazz method – 02
It’s not so much a method as it is “some things to try”, using pp. 10-11 (“Lesson 4”) in Ted Reed’s Syncopation. Last time we looked at ways of making a broken time feel using […]
EZ uptempo jazz method – 01
There is at least one other EZ uptempo jazz method— oh look, here’s another one— but this one is first in a series of similar things I’m writing now. If you learn to be creative […]
EZ bass drum workout and double bass developer
Have I not posted this before? This is a variation on my cut time funk method, strictly designed as a bass drum workout. It also makes an excellent double-bass single strokes developer. This should be […]
Reed method: fast rock – advanced
I hope you— students and teachers— are using my Reed method for playing rock beats. I think it’s one of the better things I’ve come up with— it’s just a more musical way of learning […]
Basic fluency in 12/8
Right, so it looks like we’ll be doing a lot with this triplet feel this week— mainly getting comfy improvising within this 12/8-style blues, soul or pop groove. Think Lopsy Lu, Higher Ground, Isn’t She […]
Reed interpretation: triplets with breaks
I don’t why it took me over 30 years to figure this out— I’m always looking for ways to simplify things, to make them more playable. This is an alternative to a very common, popular, […]
New Orleans street beat – Reed method
As promised, another method for developing a NOLA street beat, this one perhaps more musical than the last. Definitely. Here we’ll be using Progressive Steps to Syncopation, by Ted Reed, pp. 33-44— the “Syncopation” section […]