I wrote the following when I was still loopy from shooting and editing cymbal videos all day, I take no responsibility for anything I do. There was another forum question, about using quintuplets in jazz […]
Category: exercises
16th note exercise for brushes – solo
Continuing this thing— playing the the 16th note pages from Reed with brushes, with accents and bass drum additions hastily scribbled in while practicing. Here’s the 20 bar solo on p. 23. > = accent / […]
Three Camps in 3 – jazz waltz -02
Another set of Three Camps-form exercises in 3/4, for the drum set. The first two have alternating triplets between the snare and bass, the last two are based on a dotted quarter rhythm, with an […]
Paradiddle inversion control – 02
We’ve been doing a lot with the highly useful RLLR-LRRL paradiddle inversion lately. This is a page I wrote for myself as I’m developing some other Reed methods for it— sometimes you need to see […]
Three Camps in 3 – jazz waltz – 01
Continuing the thing from the other day, here are some drum set variations on Three Camps, in 3/4 time, in a jazz waltz feel. I practice this same type of thing using my book Syncopation […]
Three Camps in 3
A few practice items coming up. Here’s the traditional rudimental item Three Camps converted into 3/4 time, two different ways— accenting the quarter notes, or accenting the swing dotted half notes. That latter is harder […]
Cinquillodiddles
This one occurred to me thinking about Wilby Fletcher playing with McCoy Tyner… The cinquillo rhythm— I’m calling it that now for ease of reference— is a very useful one measure Latin rhythm, and a common […]
Triplets to paradiddles
A brief set of exercises illustrating the similarity of alternating triplets and paradiddle inversions. We want connections between things that seem different, even when there’s a seeming hard mathematical difference, like between a triplet and […]
Reed interpretation: paradiddle inversion – key and warm-ups
Preparatory page for a Reed system using the highly useful RLLR-LRRL paradiddle inversion— we’re doing a lot with it for a reason. It’s easy to play fast, works great on the drums, and fits a […]
Reed tweak: more paradiddle fill-ins
Adding to a similar thing we did early this year, here are some more possibilities for filling in an ordinary right hand lead Reed method— that’s the one where you play the book rhythm on […]
Paradiddle inversion control – 01
A sketchpad for my own practicing— a set of velocity studies using one paradiddle inversion in particular, the massively fun and useful RLLR-LRRL form. In case you’re listening to all that Antonio Sanchez and thinking […]
5/8 control
Sid Catlett would always tell me, “Art, when you’re in trouble, roll. Just relax, you know what I mean?” Let’s talk about something I’m preparing for, kind of a hairy gig coming up next week, […]