Oh, it’s on.* I guess. At least, Sam Nadel has posted a nice flammed triplet warm-up, and, inspired by that, I wrote a similar one of my own, with flam drags, and same-handed flam accents, […]
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Transcription: more Frankie, more Jackie-ing
Let’s really Dunlop out during this fundraising drive. Here’s part 2 of yesterday’s most— Frankie Dunlop’s actual solo on Jackie-ing, from Thelonious Monk’s Live In Stockholm 1961 album: Note that he feathers the bass drum […]
Transcription: Frankie Dunlop — Jackie-ing
Here’s Frankie Dunlop’s opening solo chorus from Jackie-ing, on Thelonious Monk’s Live In Stockholm 1961— a really great record. As I mentioned, I’m transcribing a whole lot of drum intros this week, so far mostly […]
Making bass drum punctuations while feathering
A couple of the problems I have with the idea of playing time with the bass drum (“feathering”) in jazz are: 1) it’s easy to play the feathered notes too loud— a very hokey thing […]
More meter-within-meter phrases
Here’s a little supplement to the meter-within-meter introduction of a few days ago: some additional two, four, and eight measure practice phrases: It’s easy to get yourself into trouble with this, so it’s important to […]
Transcription: Greg Errico — Anti Love Song
I could’ve handled this one as a groove o’ the day, probably, since the variations over the course of the piece are fairly minor, but I felt like writing out the whole thing, and didn’t […]
Getting started with meter-within-meter
Playing meter-within-meter— playing in one meter during a tune in a different one— is a very common rhythmic element in jazz, which became fully realized in drumming during the 1960’s by Roy Haynes, Elvin Jones, […]
Transcription: Al Jackson — Over Easy
OK, since I do actually feel obligated to offer you something more than perversely elementary groove transcriptions and lectures on the state of drumming, here’s a transcription of the build-up section from yesterday’s tune, Over […]
Page o’ coordination: metric modulation — 2/3
Part 2 of this little three-page o’… unit. Actually, there are a couple of other previous pages you can work up as well— once you’ve learned any one page of this series, the others are […]
Page o’ coordination: metric modulation — 1/3
Or rather superimposed metric modulation, per Vinnie Colaiuta’s term, which few people use, but is actually correct. This is the first of three pages ‘o… developing a swing feel in 2 within a measure of […]
Exercises for developing a common Reed interpretation
Following up on the Key to right hand accented triplets post, here is a set of exercises for getting my recommended stickings together: Get the pdf
Key to right hand accented triplets using Syncopation
There’s a very common interpretation used with Ted Reed’s Syncopation: the right hand plays the melody line, swinging the 8th notes, and the left hand fills out the triplets— hopefully everyone has heard of that […]