This is something that came up in playing Back At The Chicken Shack, a shuffle by organist Jimmy Smith . We play a pretty open interpretation of the style on that tune, not a strict Blue Note […]
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Transcription: James Black – Hook And Sling, pt. 2
This is something very special— it’s probably classical music to anyone well versed in New Orleans music, and anyone in the sampling world, but I only heard it for the first time recently: James Black […]
Page o’ coordination: displacing a jazz groove
As the heading on the page says, this is a fairly ill-advised endeavor we’re covering today: displacing a jazz groove, by shifting the cymbal and hihat rhythm over to the last note of the triplet. […]
New Orleans street beat – Reed method
As promised, another method for developing a NOLA street beat, this one perhaps more musical than the last. Definitely. Here we’ll be using Progressive Steps to Syncopation, by Ted Reed, pp. 33-44— the “Syncopation” section […]
Transcription: Airto – Black Narcissus
From Flora Purim’s album Encounter, here’s more Airto— this time playing a jazz waltz: Black Narcissus. I’ve transcribed the head of the tune, and the first couple of choruses of his playing behind Joe Henderson’s […]
New Orleans street beat – Stone method
This is the first of two pretty-easy methods for developing a New Orleans-style street beat— or rather, for expanding on it, and playing it in a “modern” way. They’ll also be good for getting a […]
Grooves o’ the day: three street beats by Fred Staehle
Kicking off a little series on playing New Orleans-style street beats, here are some grooves by Fred Staehle. These are from Dr. John’s Gumbo, a very famous album of classic New Orleans tunes, recorded by, […]
EZ Reed method with flams and 16th notes
Another “EZ” Reed method for rock/funk fills, similar to our recent triplet method, this time using pp. 24-27 from Syncopation. I won’t break it down completely, but you can figure it out by looking at the […]
Transcription: Airto — Hot Sand
Why am I not always talking about Airto? I’ve spent fewer hours listening to him than most other drummers at the top of my personal influences list; I never had a period of chasing down […]
Uptempo Stone method — 02
Here’s a little companion to our other uptempo method using Stick Contrtol by George L. Stone. This is more of an open system, and you may do it without even getting that deeply into the book […]
Page o’ coordination: shuffle bass drum variations
It’s a busy, busy, busy, busy time here— lots of gigs, lots of teaching, lots of work to be done on my house as we convert our little back house into an Air b’n’b. Nevertheless, […]
Page o’ coordination: Ventimiglia
This is something I wrote for working on one of my own tunes: Ventimiglia, from my 2014 album, Travelogue. It’s a bright 6/8 with a strong pull towards 3/4. The bass line is borrowed from […]