Yet another right hand lead Reed tweak— YART, or YARHLRT, for short. It’s a little convoluted, but works out a slightly different thing from the other systems/tweaks we’ve done, and I think it’s worthwhile. The […]
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Triplet burnout with the jazz waltz telephone page
Here are some things I do over the course of 15-20 minutes playing that jazz waltz telephone page, in addition to just playing repeating measures as written, in 3/4 time: 1. Play each measure in […]
Transcription: Steve Gadd Afro 12/8
Here’s Steve Gadd playing the whole first part of Full Compass, from George Benson’s record Bad Benson— it’s a fully arranged thing, with some drum breaks. It’s an Afro-feel 12/8, modulating to 4/4 at the […]
Jazz waltz telephone – 01
This is a writing experiment, starting with a jazz waltz cymbal rhythm with triplets filled in, changing one note per measure— or two notes. The cymbal rhythm stays the same, and bass drum is added, […]
Transcription: Dannie Richmond – Straight, No Chaser
For my man Michael Griener in Berlin, some more Dannie Richmond, this time with Bennie Wallace, playing Straight No Chaser, by Thelonious Monk of course. From the 1981 album Bennie Wallace Plays Monk, on the […]
One measure 5/4 triplet fills with Reed!
Another one of my hack and slash jobs. This is something I improvised in a lesson— a student is working on some of the Pages o’ Coordination in 5/4, based on an Elvin Jones groove, […]
Transcription: Chester Thompson – Gibraltar
Here’s Chester Thompson playing on the tune Gibraltar, an extended groove number on the Weather Report album Black Market. The first thing I ever transcribed was Chester Thompson playing with Genesis, and I associate him […]
Transcription: Charli Persip blues
Charli Persip playing a medium blues with Oliver Nelson: J&B, from Nelson’s 1961 record Main Stem. Persip is really enjoyable to listen to, and has a little bit of Roy Haynes’s edgy, modern thing happening. […]
Transcription: Billy Higgins – Blackjack
Billy Higgins playing on a funky vamp with some kicks in it, on Blackjack, from Donald Byrd’s album of the same name. It sticks with the rhythm figure all the way through, and Higgins plays […]
EZ fast rock – 02
The first EZ fast rock page was a hit with my students, so here’s another like it, more in a fill/variation direction. Combining patterns to make two-measure phrases, most of these will be the second […]
Reed tweak: linear fill in another setting
A similar item to another recent thing, with a Reed system I use pretty often, but don’t talk about much— with the hands plaing the book rhythm, and the bass drum filling in the spaces. […]