I guess you could do this with Reed— or just practice the page below by itself and start using it. NOTE: After completing this post, I see that I wrote two very similar things back […]
Category: downloads
5/8 flam accents
Page of rudimental patterns in 5/8, based on a flam accent #1. We’ve just extended it a couple of notes. You could connect some of these with a whole lot of rudiments: flam drags, pataflaflas, […]
Transcription: Roy Haynes – Bad News Blues – 02
Part 2 of Roy Haynes playing Bad News Blues on his record Cracklin’. This is Ron Matthews’s piano solo, starting at 1:51— four choruses, 48 bars. Things like this are a little bit of an […]
Transcription: Roy Haynes – Bad News Blues – 01
Roy Haynes playing Bad News Blues, from his album Cracklin’. We’ll be seeing more of this one, there’s a lot of interest in this recording. Playing a tune like this some people might simplify and […]
Groove o’ the day: Ed Blackwell – Love
Here’s a fast 6/4 Afro type of groove from Ed Blackwell, on the track Love, from a duo record with Wadada Leo Smith, The Blue Mountain’s Sun Drummer. There’s no tune, it’s just free blowing […]
Transcription: Max fours
I am not screwing around people, this is now an ALL Max Roach site. Here he is trading fours on Minor Meeting, from the record Sonny Clark Trio, from 1960— there’s another record by that […]
WSRHWL addendum!
A couple of pages to go with my wild, sprawling, scattershot world’s shortest Roy Haynes waltz lesson. That contains a lot of raw concepts for someone who is listening to a lot of Roy Haynes to […]
Transcription: Max soloing
On this second of two days of major acts of white supremacist violence here in this paradise we call “the USA”, let’s retreat into art, with part 2 of the thing from the other day: […]
Three camps: four variations
Four alternative ways of playing the rudimental piece Three Camps, that I’m practicing this week, accented 5 stroke rolls, flam accents, flam drags, and flammed 5s. Learn each measure individually, then play them in the form […]
Transcription: Max comping
That’s the theme of the week now: jazz comping. Here’s Max Roach playing on the horn solos on A Little Sweet, from his record The Many Sides of Max. Each solo is 24 bars long, […]
Transcription: Shadow Wilson comping
A little bit of Shadow Wilson’s playing on Nutty, from Thelonious Monk with John Coltrane, at Carnegie Hall. This is Monk’s second solo chorus, starting at 2:33. The tune is 32 bars long, form is […]
Solo transcription: Billy Higgins – Dear John
More soloing from Billy Higgins, on Dear John, on Freddie Hubbard’s record Bolivia. The tune has the same chord changes as John Coltrane’s Giant Steps, which is a 16 bar form, but the drum solo […]