I started transcribing this, but was too distracted by Ukraine developments to finish more than a page of it. It’s Up Jumped Spring, by Freddie Hubbard, from his album Backlash— I’m listening to a lot […]
Category: 3/4
Page o’ coordination: basic triplet texture in 3/4
Same deal as the recent triplet texture in 4/4 page, done in 3/4. A simple linear triplet pattern with added bass drum variations. I already did this with a student, looking at the page in 4— […]
Linear 8ths in 9/8 – 02
We’re doing a lot with triplets and compound-meter 8th notes these days— here with a linear pattern in 9/8, with inversions. See this last similar page, and my page of linear double paradiddles/paradiddle-diddles— still one of […]
Linear 8ths in 9/8 – 01
This is how it is, I get busy teaching, doing my taxes, preoccupied with other stuff, and not able to hit the drums for a week, and everything dries up. No ideas and I feel […]
Jazz fundamentals: playing basic rhythms on a cymbal
Usually people start with jazz coordination by playing snare drum independence patterns along with a static cymbal rhythm— see Jim Chapin’s Advanced Techniques, for example. It’s a thing to do, and it should be done. […]
Paradiddle-diddle inversions
Remember that page of double paradiddle inversions I wrote back in April? April 2020. Or, ~198,000 United States COVID deaths ago, for those of you who have abandoned calendars and moved over to a death-count based time […]
Roy Haynes waltz lesson – practice suggestions
So, I wrote that Roy Haynes waltz lesson in about ten minutes— I just listened to the tune and picked out the most obvious possible ways to cop the basic thing he’s doing there. And […]
World’s shortest Roy Haynes waltz lesson
UPDATE: See the page of practice suggestions for more on this! Someone on the internet asked me to explain what Roy Haynes is doing on the Chick Corea tune Windows, from the album Now He […]
Page o’ coordination: Olé – 01
A Portland jazz educator asked me about what Elvin Jones was doing on the tune Olé, by John Coltrane, so I wrote this up. He plays a few different major patterns, and this might be […]
Velocity patterns in 3/4
Here’s something I’ve been working with, similar to the patterns in these alternative versions of Three Camps. They’re easy to play fast, and so are good for blazing, double-timey playing. These can be played on […]
Listening to Keith Copeland
Let’s listen some more. This is Charlie Rouse playing After the Morning, a tune in 3/4 by John Hicks. The great Keith Copeland, who left us too soon, is on drums. This is normal modern, mainstream […]
Syncopation exercise in 3/4: quarter / dotted-quarter spacing
Another Ted Reed-style syncopation exercise, designed for a special purpose. This one is in 3/4, with all notes spaced two or three 8th notes apart— quarter notes or dotted quarter notes, or their equivalents with […]