1-&-A-2-&-A-3-&-A Just a some thoughts on a few lines from the introduction to Ari Hoenig’s book Systems: “In jazz or other triplet-based music, melodies which are written as eighth notes are often swung (played with […]
Year: 2014
From the zone: The Wizard, by Albert Ayler
I’ve been preoccupied the last few days whipping into shape the 2013 Cruise Ship Drummer! Book of the Blog (available for order next week), so here’s a quick little something from my old notebooks: a […]
HFS III: the book reviewening
NOTE: This is something I started writing some months ago, never quite finished, and was unsure I even wanted to post it if I did. I’m putting it up now just to share some thoughts […]
DBMITW: my fat bass drum
Just sharing a little piece of my own development here. From the early 90’s, until I finally submitted to the too-soft, you-don’t-really-want-drums-on-this-gig-do-you craze of the mid-oughts, I played a 20″ Gretsch bass drum with Remo […]
Another list of standards
On George Colligan’s Jazz Truth blog there is a group email sent out by a student who sounds nearly as dickish as I was in college, with the heading: The George Colligan Standards List…LEARN THEM […]
Groove o’ the day: Tony Williams — Footprints
Here’s a Latin-style groove Tony Williams plays at one point in the odyssey of jazz percussion that is Footprints, a tune by Wayne Shorter, from Miles Davis’s album Miles Smiles. The tune is in 6/4, […]
How to play Dear Old Stockholm
Dear Old Stockholm is the English title of a traditional Swedish song, which, you are probably aware, has become a jazz standard. I don’t know who first started playing it as a jazz tune, but […]
VOQOTD: Elvin’s advice to young drummers
“PRACTICE, and play. Play any kind of music anywhere, weddings, carnivals, dances, circuses. Play and make sure that you give it your best. Be the best out there. I’ve played burlesque shows and recently I […]
Doubling up a ballad feel with Syncopation
Happy new year, everybody. I’m practicing a lot of slow tempos lately, so here are some Reed interpretations that will be familiar to all jazz students, written out to suggest double time during a ballad. […]