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Category: syncopation

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Two simple rock applications

  • March 18, 2011
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You’ve probably noticed by now that I do a lot with Ted Reed’s Syncopation? Here are two more methods which I have developed (along with my Rock beats with Syncopation piece) to introduce my intermediate […]

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Basic big band set-ups

  • March 9, 2011
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Another in the recent series of easy stuff, here is a page of basic set-ups for ensemble kicks on the & of 4. You can apply these to my earlier piece, Kicks and Set-ups Using […]

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Todd’s Methods, pt. 3: Rock beats with Syncopation

  • March 5, 2011
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Most drum books present their stuff fully written out verbatim for the drum set, which is fine for learning patterns, but not for thinking like a musician. This is something I made up to introduce […]

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Todd’s Methods, Pt. 2: triplet partials in Syncopation

  • March 3, 2011
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The second in a series of quick, sketchily-outlined demonstrations of my practice methods. Here I give a couple of my variations on common ways of using Ted Reed’s Syncopation. If you’ve worked with that book […]

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Todd’s Methods, Pt. 1: daku-daku-paradiddle

  • February 24, 2011
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New series: quick and dirty presentation of some of my practice methods. The idea is to write them up fast and on one page, so explanations may not be as thorough as everyone would like. […]

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16th note fills using Syncopation – Part 1

  • February 22, 2011
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This is the first part of a method for working on 16th note fills, which I developed for my intermediate students. It requires some selective reading, but in a constructive way- the same type of […]

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Best books: Like Syncopation

  • February 19, 2011
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For many years Progressive Steps to Syncopation for the Modern Drummer (better known as just “Syncopation”) by Ted Reed was virtually the only drum book I used. As I alluded to in the Joe Cusatis […]

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Kicks and set-ups using Syncopation

  • January 21, 2011
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Here’s a little method I devised for working on basic big band-style kicks and set-ups, using Ted Reed’s Syncopation. Like many of the ways of working with Reed, it involves some selective reading/interpretation, but in […]

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Drum! Magazine piece – Inside “Cissy Strut”

  • January 19, 2011
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This is an educational piece of mine, entitled Inside “Cissy Strut” And Beyond, which ran in the Nov. 2010 issue of Drum! magazine. After reviewing New Orleans drummer Stanton Moore’s book Groove Alchemy for Oregon […]

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About the author:

Todd Bishop is a drummer, drum teacher, Origin recording artist, blogger(hey?), visual artist, and cymbal dealer living in Portland, Oregon.

Get lessons with Todd, in-person in Portland, or via Zoom/Facetime/MS Teams worldwide.

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Also visit my site CYMBALISTIC to get some great cymbals made in Turkey, by Cymbal & Gong. They're some of the finest cymbals in the world for anyone seeking a traditional 50s/60s jazz sound. I play them, players love them. Be sure to check out our own speciality model, the Extra Special Janavar.

You can also purchase my books, including Syncopation in 3/4, 100 Grooves, Samba & Bossa Nova Field Manual, and the Books of the Blog from 2011-2018, as well as some CSD! merchandise.

NEWS: On November 6-9 we will be bringing cymbals to Berlin and Dresden, Germany. Get on the mailing list @ Cymbalistic for locations and updates.

Recent Posts

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  • Reed interpretation: paradiddle inversion in triplet 16ths
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