For such a simple piece, Three Camps sure is a notation headache. There’s next to nothing happening in it, but it takes a whole lot of ink to write it out, and it never looks […]
Category: paradiddle-diddles
Paradiddle exercises in 7/8
UPDATE: Man, I am getting sloppy. There were a bunch of typos and duplicate exercises in the original pdf— I’ve updated it, and included some accent variations in the triple paradiddle exercises. Hey, breaking our […]
CSD! listicle: seven useful rudiments
People always seem to want to know what’s the deal with rudiments, what do you use them for, and which ones are the best, coolest, most valuable. So here I’ll just shotgun some of my […]
Paradiddle-diddle variations, for jazz
Hey, we haven’t done anything for the snare drum in awhile— in my own practicing I’ve been preoccupied with Dahlgren & Fine’s Accent On Accents books, and Buster Bailey’s Wrist Twisters, and my students are […]
From the zone: Vinnie’s paradiddle-diddles
With this next entry we’ve got dueling fusion-era paradiddle-diddle licks, this time by Vinnie Colaiuta. This was sent in by fellow blogger Mark Feldman, who transcribed it back in the day from the 1987 Zildjian […]
From the zone: Weckl’s paradiddle-diddles
It took awhile, but I finally stumbled across some old scribbled-out exercises conceivably worth sharing as part of this from the zone series. So far the only person brave enough to submit anything has been […]
Rudimental Reed: paradiddles
Another entry in our “Rudimental Reed” series, in which we outline some methods for apply rudiments to the long exercises in Ted Reed’s Syncopation, this time using paradiddles. Here’s that well-known opening line from the […]
Six stroke rolls around the drums
I’m just cranking them out today. I’ve been using the last paradiddles around the drums thing so much I decided to write up something similar using another familiar solo pattern, the six stroke roll (as […]
Paradiddle-diddle method for uptempo jazz
This is something I developed for both for getting some relief while playing fast tempos, and for doing a modern feel without getting your cymbal pattern lost in the weeds. The seed of the idea […]