If you’re not doing anything with this system, you should give it a try. It’s a way of orchestrating rhythms from Syncopation (or rhythms from wherever) between the snare drum and bass drum, based on […]
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Subtractive method: EZ bossa system
A simple thing that works shockingly well for creating a functional bossa groove that breathes. You’ll recall that this “subtractive method” is a way of revoicing the rhythms in Syncopation, based on how they line […]
Tresillo unit
For a couple of weeks I’ve been working with an area of stuff covering several different styles— grooves with a tresillo rhythm, or part of it, in the bass drum. I’ve been polishing it for […]
Subtractive method: one practice approach
A lot of commitments right now, and posting will continue to be light through next weekend. Congratulations to Justin in Omaha for getting the 22″ Extra Special Janavar “Emilia”— there is now one of those […]
Subtractive patterns for feathering the bass drum
A collection of subtractive patterns for developing feathering the bass drum in jazz— for sketching it in, and making punctuations, anyway, since this will mostly not have you playing running quarter notes. Learning to support […]
Subtractive patterns for jazz snare and bass
Continuing to develop this subtractive method, here are some good patterns for snare drum and bass drum in a jazz feel. I’m digging the system. It allows me to put whatever part I want consistently […]
Page o’ coordination: prep for subtractive method with Rumba bell
Continuing this subtractive thing using another common Latin bell rhythm, a Rumba rhythm, Guaguanco. There isn’t typically a bell used in Guaguanco, but played on the drum set, it’s the equivalent of the bell rhythm; […]
Subtractive method overview
Here’s a broad overview of this subtractive thing I’ve been working with. It’s a new approach, but not unprecedented, and I think it’s worth exploring. The idea starts with a Stone-type 8th note sticking pattern, […]
Page o’ coodination: prep for subtractive method with Mozambique bell
I wrote this for my own use— I was attempting to do that recent subtractive Reed method with the more complex Mozambique bell rhythm, and it will go much faster to see the warm up […]
Reed interpretations: special voicing – 01
This came out of the groove part of my recent Country Rock thing. It’s a kind of subtractive method for voicing the snare drum and bass drum. Not unlike my John Riley-inspired “that with interruptions” […]
From the zone: Five in seven in six in four
A little Thanksgiving treat shared on Facebook by my friend Steve Pancerev: Let’s walk through this— it’s difficult, but not impossible. I see a jazz rhythm there, and a crazy independent part with a double-beamed […]
Half-time feel funk: the “Syncopation” section — a small tweak
Continuing with my late Reed funk method here, which now has its own label— click on that link to get the whole series. It’s becoming quite substantial— I see a book in our future… If you’ve […]