Switching leads

Quickly sketching an idea to be developed at the drums here. We do a lot with right hand lead type stickings here— the right hand playing a mixed rhythm, accented, with the left hand filling in the spaces. It’s a natural function of our normal lead hand. It’s a very economical way of playing, and everybody should be good at it.

As a practice room philosophy, we normally want to be able to do all of our stuff leading with either hand, which I never bothered with here, because it doesn’t really connect to anything I do. But I’ve been hitting a lot of left leading stuff on the pad, and I’ll find myself thinking that way on the drums, coming off the ride cymbal. Again, its a practice room thing, I don’t think that way when playing.

So I noticed, hey, an easy way into that while practicing out of the book is just to switch leads when there are two accents in a row. The page here has some examples of that:

As you can see, you can switch leads on any adjacent accents. In a couple of examples, that led to entire measures being played RLRL vs. LRLR— an incidental thing, but interesting.

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