I was thinking of Dejohnette when I was working this out. A standard way of playing Reed is as running, alternating 8th notes, accenting the book rhythm on the cymbals, plus bass drum. Often playing the drum notes as doubles, to make accented open rolls.
Here, where there’s more than one drum note between cymbals, we’ll also accent the last note before the cymbal— or the last two notes— and play the other notes as double strokes. Look at the key and figure it out.
Play the warm ups, and the rest of the page, then practice the system with Syncopation pp. 6-7, 10-11, 30-45.
I found reading that to be fairly challenging. I’m using Chuck Kerrigan’s Syncopated Rhythms For The Contemporary Drummer, which is really a better, more complete book, for all the things we normally do with Reed. The full page syncopation exercises in Bellson may also be good. Anything with some longer spaces. Some of these pages I wrote would also be good.