One more item from that tune Fuss Budget, by Curtis Fuller, from the album Two Bones: there is a few bars of a Latin groove on the head of the tune, during which Charli Persip plays this:
That should look very familiar— there’s barely even cause to share it, except to say haha, look, another example of someone using that same Mozambique-type bell rhythm. It’s a very useful, hip rhythm for a lot of different Latin styles in jazz. It just flows nicely from the middle of the first bar to the ending 1:
Persip seemingly plays the bass drum on the first 1 only; 1 and the & of 2 is another good possibility for jazz applications— though not correct for clave-based music. A good generic bass drum rhythm for occasions when clave is being observed is & of 2 of both measures. That would work here, since the bassist is playing a quasi-Cuban rhythm on that section.
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